I've never seen the film with that name, but the other day I finally read the comic, or, as they are called these days, "graphic novel" with the same title. The art was by David Lloyd, whose work is very efficient and professional. I don't know much about comics these days, but I'm sure he's a very popular artist.
It was written by Alan Moore, who promotes smoking marijuana and thinks "racism" is the most stupid and evil thing ever. He undeniably has a literary bent. This is why he stands out above most of the hacks who dominate the comic biz. I actually liked the work he's done for "Swamp Thing". Since that comic is notoriously eco-friendly his hippy dippy philosophy is actually an asset there, but I really have some problems with much of his other work. I'm not sure whether he's jewish or just as naive as hell, but much of his work is nothing more than shameless leftist propaganda, full of every lefty meme, misconception, prejudice and stereotype you can imagine. I always figured most comics are subversive because it's a jewish business and they all just seem to be into weird things and like creating controversy, but Moore's work actually has me wondering if many of these people don't go into that business specifically to warp young minds. Much of it is just so sappy and over the top I catch myself wondering why more people don't get mad that they are being so blatantly lied to and lead by the nose in these stories. Then I remember their audience is mostly High School kids and college students with no life experience who have already been living in a media fantasy land all their lives and it all makes sense.
Since he doesn't believe in genetics and thinks everything about a person is determined solely by their environment, in his world I suppose it's perfectly plausible that a random prostitute "V" saves from being raped and murdered by some stereotypical nazi thugs can be, if her teacher is sincere and loving enough, sufficiently trained to run his one man resistance operation all by herself in just a few short years. A lot isn't explained, like how an unemployed loner can have an entire building to himself full of electronic equipment right in the middle of a totalitarian nightmare state and live entirely undetected for over ten years, and how he seems to have such easy access to any powerful high official anytime he likes. Once we find out he's somehow taken control of "Fate", the giant supercomputer that runs everything, I suppose that's supposed to explain everything nicely and neatly.
In this book, and other books and movies like it, they are fighting against a right wing autocracy which only serves the few people at the top. Funny that in real life the writers of this kind of tripe work for a left wing dictatorship ran by a small number of self serving families at the top for their own benefit. This imaginary government is characterized by cruelty and sadism. Everyone's thinking is kept in line by mindless slogans and formulaic propaganda, and kept in power by violent street thugs. In our real life liberal oligarchy opposition is silenced by antifa hit squads and advanced by meaningless slogans, and Hollywood nonsense. I think this guy must be completely insane as he has everything backwards and upside down. Far from being a nightmare worlds of fog, barbed wire, jack boots and vicious german shepherds, modern White ethnostates, far from being the perversion he portrays them as, have been working men's paradises and characterized by peace and prosperity, while it's communist states that have always shed the most blood and caused untold suffering. He's either crazy or he's become addicted to those big, gold shekels they shower on him for telling kids such gigantic whoppers.
The leaders of this fictitious White supremacist regime are abnormal losers who do what they do primarily because they feel unloved. Of course all White males are all portrayed as repulsively violent and hateful, while "people of colour" are invariably shown as vibrant, happy and full of love for the world and everyone in it. Never mind the fact that in reality Whites are pathologically altruistic to a fault and minority crime stats are unsettling to say the least as they show a preference for violent crime. In order to enjoy this story it's best we ignore these inconvenient facts. Young people love fantasy these days, much more than they like the reality of their own lives, so obviously this kind of material is very dangerous. It reminds me of something George Lincoln Rockwell said about modern fiction in one of his books. Something about how entering the imaginary world of a subversive author is dangerous because the reader experiences the story as if it's actually happening to him. I've made similar statements about how Hollywood is in the business of implanting false memories in our minds. It's scary to think about what they are planning to do to young people with the coming virtual reality video games. The way things are going we'll all be living in a talmudic matrix in another ten or twenty years. It's truly frightening.
I find it interesting that "V", whose face we never see (we are lead to believe he is hideously deformed) loves literature, art and all forms of music, especially classical music, when it is a known fact these are hallmarks of European civilization and the left makes no secret about wanting to erase both our civilization and history. I also find it somewhat amusing that the television programming in this make believe Right wing autarchy is very lowbrow and full of cheap sexual innuendos when that kind of thing is overtly characteristic of the jewish idiocracy we all live under in the real world. I don't recall any Fascist or National Socialist movies or television programming that pandered to those adolescent sensibilities the way our own jewish media does. It's also funny how all these fictional Right Wing thugs are portrayed as sexual deviants. Aside from Ernst Röhm, who was purged early on, I can't think of any sexual deviants high up in the NSDAP or Fascist party, but if pizzagate is any indication, such abnormal practices are rampant under our present semitic government. Either this guy is intentionally writing blatant propaganda for the sole purpose of confusing young minds or he's as delusional as hell and lives in his own twisted little fantasy world.
Over all I found the story entertaining and I enjoyed some of his poetic turns of phrase. Unfortunately I found his constant resorting to hackneyed, tired out, and cliche "liberal" misrepresentations more than a little annoying at times. In fact I could only read the first couple paragraphs of his introduction to the book because it was so full of communist bullshit.
As aggravating as it was I can't say I regret reading it as it was a look into the mind of a millennial antifa activist.
By the end of the story "V" freed the people from the evil White government that was suppressing them and finally the people were free to do as they please. Evidently, according to this Moore at least, what they really want to do is destroy the work of their forgathers, give their country away and die off.